image credit: Himalayan Art Resources
In the twenty-sixth verse of his CidvilÄsastava (‘Hymn to the Play of Consciousness’), AmáštÄnanda teaches about the ultimate form of mantrajapa, the recitation of the sacred mantra, according to his tradition as follows:
ā¤ĩā¤žā¤āĨ ā¤¸ā¤šāĨā¤ĩ ā¤Žā¤¨ā¤¸ā¤ž ā¤¨ā¤ŋā¤ĩā¤°āĨā¤¤ā¤¤āĨ ā¤ĒāĨā¤°ā¤žā¤ĒāĨā¤¯ā¤¨ā¤ŋā¤ˇāĨā¤ā¤˛ā¤¨ā¤ŋā¤°ā¤āĨā¤ā¤¨ā¤žā¤ĻāĨā¤¯ā¤¤ā¤āĨ¤
ā¤¤ā¤¤āĨā¤° ā¤¨ā¤ŋā¤°āĨā¤Žā¤¨ā¤¸ā¤ŋ ā¤ļā¤ŦāĨā¤Ļā¤ĩā¤°āĨā¤ā¤ŋā¤¤āĨ ā¤§ā¤žā¤ŽāĨā¤¨ā¤ŋ ā¤ĩā¤ŋā¤ļāĨā¤°ā¤Žā¤Ŗā¤žā¤ŽāĨā¤¤āĨā¤¤ā¤ŽāĨ ā¤ā¤Ēā¤ āĨĨ āĨ¨āĨŦ āĨĨ
vÄk sahaiva manasÄ nivartate prÄpyaniášŖkalaniraÃąjanÄd yataá¸Ĩ |
tatra nirmanasi Åabdavarjite dhÄmni viÅramaášam uttamo japaá¸Ĩ || 26 ||
“There is an undivided and pristine reality that should be realized, from which speech, together with the mind, turn away. The repetition of the mantra, in its ultimate form, is bringing [speech and the mind] to rest in that luminous reality that transcends the mind and conventional language.” (translation by Ben Williams)