image credit:RN Mitra
In the twenty-ninth verse of his CidvilÄsastava (‘Hymn to the Play of Consciousness’), AmáštÄnanda contemplates the nondual meaning of offering the cÄmara (fly-whisk) in pÅĢjÄ as follows:
ā¤Ēā¤āĨā¤ā¤§ā¤ž ā¤¸āĨā¤ĢāĨā¤°ā¤Ŗā¤ŽāĨā¤ĩ ā¤¸ā¤ā¤ĩā¤ŋā¤Ļā¤ļāĨā¤ā¤žā¤Žā¤°ā¤ ā¤ĩā¤ŋā¤ĩā¤ŋā¤§ā¤ā¤žā¤°āĨā¤ā¤āĨā¤āĨā¤°ā¤Žā¤ŽāĨ āĨ¤
ā¤ĩā¤ŋā¤ļāĨā¤ĩā¤ĻāĨā¤āĨā¤˛ā¤¯ā¤ĩā¤ŋā¤ā¤ŋā¤¤āĨā¤°ā¤¨ā¤ŋā¤°āĨā¤Žā¤ŋā¤¤ā¤ ā¤¸āĨā¤ĩāĨā¤āĨā¤ˇā¤Ŗā¤āĨā¤ˇā¤Ŗā¤ā¤ĩāĨ ā¤ā¤ĩā¤¸āĨā¤¤ā¤ĩā¤ āĨĨ āĨ¨āĨ¯ āĨĨ
paÃącadhÄ sphuraášam eva saášvidaÅ cÄmaraáš vividhacÄrucaáš
kramam |
viÅvadášglayavicitranirmitaá¸Ĩ svekášŖaášakášŖaášabhavo bhavastavaá¸Ĩ || 29 ||
“The royal whisk, which has diverse and lovely waving motions, is the shimmering of innate awareness through the five [senses]. The song of praise offered to Åiva is when momentary acts of [devotional] seeing, beautifully fashioned, [all] dissolve into an all-encompassing vision [of reality].” (translation by Ben Williams)