In the thirteen verse of his CidvilÄsastava (‘Hymn to the Play of Consciousness’), AmáštÄnanda teaches about the deeper aspects of kÄmakalÄ as follows:
ā¤ā¤žā¤Ž ā¤ā¤°āĨā¤§āĨā¤ĩā¤ā¤¤ā¤Ŧā¤ŋā¤¨āĨā¤ĻāĨā¤°ā¤žā¤¨ā¤¨ā¤ ā¤ā¤žā¤¨āĨā¤°āĨā¤ˇ ā¤¤ā¤Ļā¤§āĨā¤ā¤¤āĨ ā¤¸āĨā¤¤ā¤¨āĨ āĨ¤
ā¤ā¤ŋā¤¤āĨā¤°ā¤ā¤žā¤¨āĨā¤ļā¤ļā¤ŋā¤¨ā¤žā¤ĩāĨā¤āĨ ā¤ā¤˛ā¤ž ā¤¯āĨā¤¨ā¤ŋā¤°ā¤¤āĨā¤° ā¤¸ā¤Ēā¤°ā¤žā¤°āĨā¤§ā¤āĨā¤ŖāĨā¤Ąā¤˛āĨ āĨĨ āĨ§āĨĒ āĨĨ
kÄma ÅĢrdhvagatabindur Änanaáš bhÄnur eášŖa tad adhogatau stanau |
citrabhÄnuÅaÅinÄv ubhau kalÄ yonir atra saparÄrdhakuášá¸alÄĢ || 14 ||
“Desire (kÄma), [which in the kÄmakalÄ diagram] is the upper bindu that is the face [of the Goddess], is the sun. The active [dividing] power (kalÄ) is the two breasts below that [upper bindu] which correspond to both fire and the moon. Here the yoni is the lower half of kuášá¸alinÄĢ [in the form of the phoneme HA].” (translation by Ben Williams)