In the fifteenth verse of his CidvilÄsastava (‘Hymn to the Play of Consciousness’), AmáštÄnanda teaches about the deeper aspects of nyÄsa (installtation of mantras) as follows):
ā¤ā¤ĩā¤Žā¤žā¤¤āĨā¤Žā¤¨ā¤ŋ ā¤ā¤¤āĨā¤ˇāĨā¤ā¤˛ā¤žā¤Žā¤¯āĨ ā¤¸ā¤°āĨā¤ĩā¤¤ā¤¤āĨā¤¤āĨā¤ĩā¤¸ā¤Žā¤ĩā¤žā¤¯ā¤˛ā¤āĨā¤ˇā¤ŖāĨ āĨ¤
ā¤¨āĨā¤¯ā¤žā¤¸ā¤Žā¤žā¤šāĨā¤°ā¤ŋā¤š ā¤ĩāĨā¤ā¤°āĨā¤¤ā¤ŋā¤ĩā¤žā¤āĨā¤ĩāĨā¤¤āĨā¤¤ā¤ŋā¤¤ā¤ ā¤¸ā¤Žā¤ĩā¤ŋā¤ļāĨā¤ˇā¤ā¤žā¤ĩā¤¨ā¤ŽāĨ āĨĨ āĨ§āĨĢ āĨĨ
evam Ätmani catuášŖkalÄmaye sarvatattvasamavÄyalakášŖaáše |
nyÄsam Ähur iha vaikharÄĢtivÄgvášttitaá¸Ĩ samaviÅeášŖabhÄvanam || 15 ||
“In the same way, here we teach the installation [of mantras on the body] based on the activity of speech that is âarticulatedâ to be the universal and distinct contemplation of the Self identified with the collection of all the principles of reality and endowed with four aspects.” (translation by Ben Williams)